Etienne Chambaud

Étienne Chambaud

Mulhouse, France, 1980. Lives and works in Paris.

Étienne Chambaud explores the relationships between matter, signs, and structures through works that question the limits of perception and knowledge. His practice, rooted in a conceptual approach, moves between sculpture, installation, film, and writing, often appropriating and repurposing objects or systems from natural history, philosophy, and science. His works function as thresholds of transformation, where the boundaries between form and dissolution, meaning and loss, become blurred and reconfigured. As Tristan Garcia notes, “each of his pieces is like the cross-section of a living contradiction.”

Flat Source Negative #6 | 2014 | Photograph produced from acrylic scratched negative | Print 30 x 45 cm | Frame 90 x 123 x 6 cm

Flat Source Negative #6 | 2014 | Photograph produced from acrylic scratched negative | Print 30 x 45 cm | Frame 90 x 123 x 6 cm

The Fractal Zoo | Additive Expression | 2013 | Bronce, acero, semillas, colorante alimenticio, excremento de pájaro| medidas variables

The Fractal Zoo | Additive Expression | 2013 | Bronce, steel, seeds, food colouring, birds’ droppings | variable dimensions

«An on-going investigation on the limits between things, their exhibitions and their perceptions.»

Étienne Chambaud studied at ECAL in Lausanne, Villa Arson in Nice, and the École nationale des Beaux-Arts (ENBA) in Lyon. He holds a PhD from the SACRe program at PSL University, École Normale Supérieure (ENS) and École Nationale Supérieure des Beaux-Arts (ENSBA) in Paris.

His solo exhibitions include Lâme, LaM – Lille Métropole Musée d'art moderne, d'art contemporain et d'art brut, Villeneuve-d'Ascq (2022); Inexistence, Esther Schipper, Berlin (2021); Negative Knots, La Kunsthalle, Mulhouse (2018); Undercuts, Forde, Geneva (2012); The Encored Separation, Art Unlimited, Basel (2011);Counter History of Separation, CIAP, Vassivière (2010); The Sirens’ Stage, David Roberts Art Foundation, London (2010); among others.

Recent group shows include Domain du Muy x Esther Schipper, Le Muy (2024); Icons, Punta della Dogana, Pinault Collection, Venise; MACBA, The collection: Time is an Illusion, Collegium, Arévalo (2023); High Spirits, Monopol, Berlin (2023); Stories of Stone, Villa Medici, Rome (2023); Once Upon a Time, FRAC Champagne-Ardenne (2022); among others.

Labor Image

Mirror | 2025 | Aluminium leaf on found wood butcher block | 35 x 28 x 8,5

Labor Image

Zebroid | 2024 | Bronze | 27,5 x 44,8 x 8 cm

Labor Image

Uncreature | 2024 | Tempera and gold leaf on wood panel | 31 x 27 x 4,7

Labor Image

Uncreature | 2024 | Tempera and gold leaf on wood panel | 31 x 27 x 4,7

Labor Image

Topos | 2024 | Mineral paint and dry pigment on patinated bronze |  7,5 x 25 x 16

∩ (Fallow Deer Fawn) | 2018

∩ (Fallow Deer Fawn) | 2018

Nameless | 2013 | Coyote, squirrel, rabbit, bobcat and boar urines, bronze powder and cellulosic varnish on canvas | 143.5 x 109.5 x 6.2cm

Nameless | 2013 | Coyote, squirrel, rabbit, bobcat and boar urines, bronze powder and cellulosic varnish on canvas | 143.5 x 109.5 x 6.2cm

The Fractal Zoo (detail) | 2013 | Bronze and steel

The Fractal Zoo (detail) | 2013 | Bronze and steel

The Naked Parrot | 2013 | Watercolour, food colouring and pigment on pape | 41 x 32 cm

The Naked Parrot | 2013 | Watercolour, food colouring and pigment on pape | 41 x 32 cm

“Atlas,” | 2012 | Modified book (El Atlas de Nuestro Tiempo, 1964) | 40 x 28 cm

“Atlas,” | 2012 | Modified book (El Atlas de Nuestro Tiempo, 1964) | 40 x 28 cm

Lapidation Piece (detalle) | 2012 | Piedras | dimensiones variables

Lapidation Piece (detail) | 2012 | Stones | variable dimensions

On Hospitality (i.e. Exclusion) | 2010 | Acero, grúa, piedras volcánicas | Dimensiones de instalación variables

On Hospitality (i.e. Exclusion) | 2010 | Steel, crane, volcanic stones | Installation dimensions variable

The Siren's Stage (The Reef) | 2010 | Pedestales, actores, escritores, modelos desnudos, máquina de escribir, mecanografiado A4 | Dimensiones variables

The Siren's Stage (The Reef) | 2010 | Plinths, actors, writers, nude models, typewriter, A4 typescript | Dimensions variable

L' Epochè fantastique | 2007 | fotografía enmarcada | 40 x 60 cm

The Fantastic Epochè | 2007 | framed photograph | 15.75 x 23.62 inches

Related Exhibitions

INCOMPLT

Nov 24 2016 - Jan 14 2017

INCOMPLT

Étienne Chambaud

The Naked Parrot

Apr 09 2013 - Jun 01 2013

The Naked Parrot

Etienne Chambaud

On Hospitality

Jul 03 2010 - Aug 21 2010

On Hospitality

Etienne Chambaud

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