Written as a satire of art writing, literary criticism, and psychoanalytic theory, the book mixes together original content by each author, plus new collaborative material. It takes the form of a (rejected) uncorrected proof of an appendix to another (nonexistent) volume and pays homage to some of overlooked genres of writing. Among these, rejection letters, author’s bios, therapist correspondence, bad poetry, and exhibition checklists. The work brings together Gower and de la Torres’ practices of appropriation and analysis of existing visual and textual forms.